Wallace Cameron First Response Kit

Wallace Cameron First Response Kit


The Wallace Cameron High Risk Response Bag contains all the first aid equipment required to cover and heal accidental wounds Made of lightweight fabric, this first aid bag with shoulder straps is compact and easy to carry. It offers instant access to all the first aid equipment you need to deal with accidental bleeding and scalding injuries. It includes assorted plasters, dressings, eye pads, eye wash, badges, tapes, gloves, disposable aprons, safety pins, scissors and clinical waste bags. This kit is ideal for use in sports or other events where large crowds are present First aid kit for use during sports or other commercial events. Comes in a lightweight bag with a shoulder strap10 x Alcohol-free wipes4 x Aprons3 x Clinical waste bags1 x Emergency foil blanket2 x Eye pads4 x Gloves (pair)1 x Guidance leaflet2 x Large dressing6 x Medium dressings1 x Microporous tape (2.5 cm x 5 m):3 x No.3 dressings:50 x Plasters1 x Resusciade vent aid12 x Safety pins1 x Scissors (blunt 12 5cm)2 x Sterile eye wash 500 ml6 x Triangular bandages. Bag Colour: Green…
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Cameron Elementary School Receive Tribute & Health Assistance by Charles Myrick of ACRX

ACRX Recognition Gallery: American Consultants Rx

Wallace Cameron Travel First Aid Pouch

Wallace Cameron Travel First Aid Pouch


The Wallace Cameron Travel First Aid Pouch is designed to provide instant access to first aid when travelling Administer first aid quickly and easily while travelling with this travel first aid kit. This handy transparent pouch allows you to keep the items organized and provides easy view of all the stored contents. With a compact and lightweight design, this travel first aid kit contains essential first aid items that makes it ideal for use at construction sites or offices First aid pouch to administer first aidTransparent pouchCompact and lightweight designContains a guidance leaflet, pair of gloves, large dressing, plasters, triangular bandages, wipes, and safety pinsHSE compliant
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James Cameron Cried The First Time He Heard James Horner’s ‘Titanic’ Theme

Legendary film composer James Horner died in a plane crash on Monday, but he will always be remembered for his music.

Horner was best known for his two-time Oscar-winning score to James Cameron’s “Titanic,” as well as his scores to “Braveheart,” “Apollo 13,” “Avatar,” “Field of Dreams” and “A Beautiful Mind.” The 61-year-old, who has composed music for over 100 films, was also an avid pilot. The two-seater single-engine S312 Tucano he was flying on Monday crashed in Santa Barbara, California.

While many celebrities, collaborators and fellow musicians have remembered Horner on Twitter, Cameron paid tribute to the composer on The Hollywood Reporter’s site on Tuesday. The “Titanic” director looked back on working with Horner on everything from the first project they both worked on, “Battle Beyond the Stars,” up to “Avatar.” Although the two got off to a rough start while working on “Aliens” together because of timing issues, the filmmaker said that he knew he had to work with Horner again on “Titanic,” telling THR, “I thought, ‘I don’t care what happened, I want to work with James.'”

Cameron remembered the first time he heard Horner’s concept for the “Titanic” theme. “I drove over to his house,” Cameron said of Horner, “and he sat at the piano and said, ‘I see this as the main theme for the ship.’ He played it once through and I was crying.” When the director heard Horner play his idea for “Rose’s Theme,” he said he knew the musician had “cracked the heart and soul” of the movie.

The filmmaker told Entertainment Weekly that he cried during every song Horner played that day in his studio. “I said to him, ‘You’ve done it,'” Cameron told EW. “He said, ‘I haven’t done anything yet.’ And I said, ‘James, you’ve done it.'”

For the full tribute, head to The Hollywood Reporter.

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Cameron Crowe Leads A Musical Tour Through His Filmography

After over 30 years as a writer and director in Hollywood, Cameron Crowe’s reputation precedes him.

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The Path To The Big Screen Has Been Anything But Sunny For Cameron Crowe’s ‘Aloha’

Oh, the places Cameron Crowe will go: all the way to Hawaii, apparently, to make a movie that spent several years in development, drifted almost completely into the Hollywood ether, sprung back to life with a new cast and was condemned by a top-level studio executive. The once-exalted director — responsible for beloved hits like “Say Anything…,” “Jerry Maguire” and “Almost Famous” — needs redemption after the trifecta of “Vanilla Sky,” “Elizabethtown” and “We Bought a Zoo” soiled his résumé. Sadly, “Aloha” and its lengthy journey to the big screen won’t quite get him there.

Starring Bradley Cooper as a defense contractor completing a satellite mission in Honolulu, “Aloha” is part romantic comedy and part military sting operation. (Said operation deals with the militarization of space, which is as “huh?”-worthy as it sounds for a rom-com.) Cooper’s character completes his work under the watch of a chatty Air Force pilot (Emma Stone) who becomes an obvious love interest, but he also reunites with a long-lost flame (Rachel McAdams) who is now married with two kids. Along the way, the movie gets about as messy as its development woes.

Doubling as a case study about a movie gone awry, below is a timeline of the trouble (at least the extent that’s on the record) that has plagued “Aloha” over the past several years.

rachel mcadams

June 8, 2008: Sony-owned Columbia Pictures tops four rival studios in the heated bidding for an untitled, fully developed Cameron Crowe “romanic-comedy adventure” starring Ben Stiller and Reese Witherspoon. Plot details are kept under wraps, but the movie is slated to begin shooting in January 2009. It will be Crowe’s first movie since 2005’s widely detested “Elizabethtown.”

October 2008: The plot leaks online after the script begins to circulate. Stiller is said to be playing Brian Gilcrest, a disgraced U.S. weapons consultant who is ordered to supervise the launch of a spy satellite in Hawaii. While stationed there with the humorless Major Lisa Ng (uncast), he reencounters his long-lost love (presumably Witherspoon), who is now married with two kids. Self-discovery ensues, along with a dose of the supernatural when Brian experiences visions of the Hawaiian gods and is asked to find a sacrifice for one of the island’s volcanoes. (Cue “Joe Versus the Volcano” comparisons.) Crowe, a former rock journalist, is known for his movies’ catchy soundtracks, and the script contains a sample playlist of songs that could factor into the film:
Cat Stevens — “Don’t Be Shy”
U2 — “Elevation”
The Rolling Stones — “Prodigal Son”
The Blue Nile — “Let’s Go Out Tonight”
Buckner & Garcia — “Pac-Man Fever”
Tom Jones — “What’s New Pussycat”
The Who — “Baba O’ Riley”
The Beatles — “She’s Leaving Home”
Stevie Wonder — “Ribbon in the Sky”

December 2008: The film is titled “Deep Tiki,” but Witherspoon tells Collider that shooting has been postponed until 2010.

August 2009: With “Deep Tiki” development news at a halt, Crowe reemerges by directing Pearl Jam’s video for “The Fixer,” his first behind-the-camera work since “Elizabethtown.”

May 2010: “Deep Tiki” has stalled indefinitely. Reasons are unclear, but Stiller and Witherspoon move on to other projects. Meanwhile, Crowe signs on to direct and rewrite the adaptation of Benjamin Mee’s memoir “We Bought a Zoo,” which he’d been circling since the previous winter.

March 2, 2011: “The Union,” Crowe’s HBO documentary about Elton John’s creative process, opens the Tribeca Film Festival.

Sept. 10, 2011: Crowe’s rockumentary “Pearl Jam Twenty” premieres at the Toronto International Film Festival. It airs on PBS’ “American Masters” one month later. Along the way, Crowe says he’d “consider” making a sequel to “Say Anything…,” and the entertainment press goes nuts. There is still no word on “Deep Tiki.”

October 2011: In a New York Times profile, Crowe reveals he plans to begin shooting his next film — from a script he finished two days before the interview occurred — in March 2012, with another movie planned after that. Befuddled journalists wonder whether the director is referring to “Deep Tiki,” the Marvin Gaye biopic to which he is tied or another project altogether.

Dec. 23, 2011: “We Bought a Zoo” opens, becoming Crowe’s first mainstream theatrical feature in six years. While doing press for “Zoo,” he says he cannot reveal what film will be his next, but teases it as “more of a straight-out comedy.”

July 30, 2012: After March comes and goes with no casting announcements, Deadline.com reports that Emma Stone has signed on to star in “untitled love story” that Crowe is directing for Sony. The article contains no mention of “Deep Tiki,” but Variety’s Jeff Sneider tweets on the same day that Crowe has rewritten the script and it is again gaining momentum at Sony. The movie’s sensibilities are said to be closely aligned with that of “Almost Famous” and “Jerry Maguire.”

Oct. 24, 2012: A “lengthy search” results in talks with Bradley Cooper, who is anticipating Oscar buzz for “Silver Linings Playbook,” to take on Stiller’s former role.

April 11, 2013: Rachel McAdams is in talks to play a “former lover of Cooper’s character,” according to Deadline.com, which again makes no mention of “Deep Tiki” in its report of the news.

July 23, 2013: In an interview with The Huffington Post, Cooper confirms he is in the movie and that it will begin shooting in September. He also lets it slip that Danny McBride has joined the cast.

August – October 2013: The rest of the cast (Bill Murray, Alec Baldwin, John Krasinski) rolls in.

Sept. 26, 2013: Crowe begins shooting what is now being referred to as “Untitled Hawaii Project.” No press release is sent to announce its start, with the director instead quietly posting a photo of a corresponding clapperboard on his blog. Reports clarify what we already know: This is an updated “Deep Tiki.” They also indicate the movie was also once titled “Volcano Romance.”

Feb. 14, 2014: Sony sets a Dec. 25 release date, leaving some pondering whether it could become an Oscar contender.

July 21, 2014: Sony delays the still-untitled film to May 2015. “Once we saw the film, we knew that it would make a perfect summer release. The movie is Cameron at his best,” Jeff Blake, chairman of worldwide marketing and distribution for Sony Pictures, says.

December 2014: In the wake of the massive Sony hack, Amy Pascal is found condemning the film in leaked emails. “It’s a wrap,” she says of any attempt to salvage the apparently dismal scores the movie received during test screenings. Pascal calls the script “ridiculous” and says it “never, not even once, ever works.” She criticizes producer Scott Rudin for not visiting the set or assisting during the editing process. “At least the marketing departments have something to sell. Looks big and glossy,” the email says. “We have this movie in for a lot of dough and we better look at that.”

Feb. 2, 2015: Sony announces the film will be titled “Aloha.”

Feb. 11, 2015: The first trailer debuts.

April 21, 2015: The soundtrack’s lineup is unveiled. It includes none of the songs from the playlist that circulated with the original script.

May 13, 2015: SlashFilm reports that the only junket will take place in London with select journalists in attendance, marking another omen for the film.

May 19, 2015: “It’s been months since those emails, and a ton of work has been done since then. The movie is really, really different,” a Sony executive tells Variety, referring to the testing results mentioned in Pascal’s email. “It’s going to be a lot more satisfying for audiences.” In the same breath, he warns people not to expect the next “Say Anything” or “Jerry Maguire.”

May 20, 2015: The Media Action Network for Asian Americans accuses the movie of “whitewashing” Hawaiian history by casting only white stars. The group likens “Aloha” to other Hawaii-set films like “The Descendants,” “50 First Dates” and “Pearl Harbor.” MANAA’s Guy Aoki slams Crowe for a tweet in which he said the movie enunciates the “rich history and culture of Hawaii.” The group lambastes the film’s few Asian-Pacific Islander characters, who are listed with names like “Indian pedestrian,” “upscale Japanese tourist” and “upscale restaurant guest.”

May 20, 2015: Upon inquiring, Sony tells The Huffington Post that Crowe and the cast will not be doing press in New York. On top of that, there is only one screening offered to critics and reviews are embargoed until 4 p.m. on May 28, mere hours before the film opens. (Studios typically offer several screening opportunities and at least a few days for reviews to percolate before something is released.)

May 26, 2015: Introducing “Aloha” at a Los Angeles press screening, Crowe reportedly says, “A lot’s been said, a lot’s been heard — some of it private, some of it public, some of it private that became public. But it’s always been a love letter.”

May 27, 2015: Sony counters MANAA’s claims in a statement: “While some have been quick to judge a movie they haven’t seen and a script they haven’t read, the film ‘Aloha’ respectfully showcases the spirit and culture of the Hawaiian people. Filmmaker Cameron Crowe spent years researching this project and many months on location in Hawaii, cultivating relationships with leading local voices. He earned the trust of many Hawaiian community leaders, including Dennis ‘Bumpy’ Kanahele, who plays a key role in the film.”

May 28, 2015: A source with ties to the project tells Bloomberg Business that Sony shelled out $ 20 million for the marketing campaign. (For comparison’s sake, the average cost of marketing a studio movie in 2007 was $ 36 million. Many blockbusters wind up spending hundreds of millions on their worldwide campaigns. 2013’s under-performing “The Lone Ranger,” for example, cost a reported $ 150 million in global marketing and distribution.) Box-office forecasts expect the movie to generate $ 8 to $ 10 million in its first weekend, with the studio hoping its 2,800-screen debut could give way to potential sleeper-hit status as the summer unfolds.

May 28, 2015: The first reviews trickle in a couple of hours ahead of the embargo lift, and they are not kind.

May 29, 2015: “Aloha” opens.

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More Details on Cameron Diaz and Benji Madden’s Top-Secret Wedding, Including Their A-list Bridesmaids

I was hoping to wake up today to some pictures from Cameron Diaz and Benji Madden’s wedding, which happened Monday evening. (The tabloid covers generally break on Wednesday a.m., so if we were going to…




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Cameron Diaz and Benji Madden Are Reportedly Getting Married Tonight!

Hope you have a fancy dress ready: Cameron Diaz and Benji Madden are set to get married TONIGHT, according to Us Weekly. The couple hosted an intimate, three-hour rehearsal dinner last night in Beverly Hills,…




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More Details on Cameron Diaz and Benji Madden’s Engagement!

I know some of you still don’t believe it, but with People confirming the news, I think it’s safe to start speculating about wedding dates: Cameron Diaz and Benji Madden are engaged. News of the…




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Is THIS Cameron Diaz’ Engagement Ring?!

News broke this morning that Cameron Diaz and Benji Madden are engaged—just like I said they would be—so naturally I went into full-on ring-finger-stalking mode. Here’s what I came up with in my engagement ring…




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Jimmy Fallon, Cameron Diaz Photobomb Tourists On ‘The Tonight Show’

Jimmy Fallon and Cameron Diaz pranked unsuspecting tourists at the Top of the Rock, popping up in the background of photos.

The result? Some of the best photobombs ever, which you can see in the video above from Wednesday night’s “Tonight Show.”

Fallon and Jon Hamm pulled the same prank in March… and the results were every bit as hilarious.
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Cameron Diaz on Turning 40: “Oh, Now Life Begins” — First Look – Oprah Prime – OWN

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In The Body Book: The Law of Hunger, the Science of Strength, and Other Ways to Love Your Amazing Body, 41-year-old Cameron Diaz opens up about the drastic lifestyle changes she’s made since the beginning of her career—from exercising more to letting go of fast food. Looking back, Cameron tells Oprah why she didn’t dread her 40th birthday.

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First Look: Cameron West on Living with 24 Personalities – Oprah: Where Are They Now? – OWN

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In 1999, Oprah Show viewers met Cameron West, a husband and father with dissociative identity disorder. Over the course of his treatment, 24 different personalities emerged. Now, 15 years later, we’re catching up with Cam and his wife, Rikki. Watch as they share footage of Cam’s real-time brain wave testing and reflect on his diagnosis.

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