Fighting for first place: Battling mice win photography award

A picture of two mice fighting over food on a deserted London Underground station platform has won the LUMIX People’s Choice award in the Wildlife Photographer of the Year competition.
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Book: Digital Photography for Children’s and Family Portraiture

Book: Digital Photography for Children’s and Family Portraiture


REATE DIGITAL IMAGES THAT WILL DAZZLE YOUR CLIENTS-AND BOOST YOUR BOTTOM LINE Succesful portrait photography is about more than the latest equipment. It is about analyzing your competition, establishing your market, and offering a unique, in-demand product. With digital technology, you are better equipped than ever to accomplish this goal, creating portraits that are perfectly geared toward your intended market while maintaining exacting creative control. Digital also gives you the ability to market your work more effectively, with blogging, web sites, and much more. In this book, Kathleen Hawkins takes you through the entire process, showing you how to become more efficient, more creative, and more profitable. Additionally, eight leading photographers share their own insights into their most successful techniques for creating and marketing digital portraits. FEATURES: *Evaluating your equipment needs *Streamlining your workflow *Sales and service techniques to build repeat bsuiness and maximize sales *Tips for planning an organized and efficient shoot *Artistic, sales, and marketing techniques from top children’s and family portrait photographers ABOUT THE AUTHOR Kathleen Hawkins is an advisor and consultant to photographers throughout the country. She and her husband Jeff operate an award-winning wedding and portrait photography studio in Orlando, FL.
List Price: $ 34.95
Price: $ 34.95

iPad and iPhone Digital Photography Tips and Tricks

iPad and iPhone Digital Photography Tips and Tricks


iPad and iPhone Digital Photography Tips and Tricks Easily Unlock the Power of Digital Photography on Your iPad or iPhone Discover hundreds of tips and tricks you can use right away to capture, edit, and share amazing photos with your iPad or iPhone! This easy-to-understand guide teaches you all the iOS skills and photographic techniques you need to go far beyond snapshots. Whatever you’re shootingportraits, candids, babies, sports, pets, landscapes, vacations, nature, anything it will help you get incredible results. Then, you’ll master more ways to share your images than ever before: at home, in print, online, in the cloud, everywhere . You’ll learn how to squeeze maximum performance out of your iPhone or iPad’s built-in cameras and photo apps, and discover low-cost apps and tools for doing even more. Whether you’ve been taking iPhone/iPad photos for years or you’re just starting out, you’ll have way more fun and get way better results! Here are just some of what this book’s tips, tricks, and strategies will help you do: Get awesome results with the built-in Camera and Photo apps Master 10 easy strategies for taking better iPhone/iPad photos Use the Grid and Rule of Thirds to professionally compose and frame your shots Choose the best shooting angle and perspective for every image Capture great photos in low light Make the most of built-in flash or HDR mode Take great group shots and baby pictures Shoot sporting events without blurring Efficiently view, organize, edit, and share pictures with the Photo app Transform just OK images into great photos with the optional iPhoto app Discover great low-cost tools, from image editors to lights, lenses, and tripods Showcase photos on your high-def television Easily create online galleries and animated digital slideshows Back up your latest images, and share them with all your Apple devices Share online iCloud-based Photo Streams with friends, family, and nobody else
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White Rose ball remix simulation stars Korean bride wedding bouquet wedding photography props

White Rose ball remix simulation stars Korean bride wedding bouquet wedding photography props


White Rose ball remix simulation stars Korean bride wedding bouquet wedding photography props
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Glamour Shots – Winter Storybook Photography

Dress up the kids in their warm winter outfits and book a Winter Storybook photo session! During the session your little one will strike their festive winter poses. Afterward, families will view the results and select the pose they like best to be printed and turned into a digital image. Our talented graphic artists will then add a digital background and effects to the chosen pose, creating a whimsical winter wonderland scene. *Ages 1-15. Limit one special per customer or family during each promotional period please. Price of offer includes two children. Child appropriate makeovers available for an additional fee. In-studio only. Customers under 18 must be accompanied by a legal guardian. All services must be redeemed during 1 visit and must be used by same customer. Not valid for existing orders, reprints, enhancements, or special orders. Shipping & handling may apply. May be used on any type of kid’s session. Deal is of 1 pose only. Additional package options available day of session. Hair and makeup not available. Due to high appointment volumes at many of our locations you may be contacted for a refundable reservation fee to secure your appointment date and time. If you need to cancel your appointment, the reservation fee will be refunded if it is canceled at least 48 hours before your scheduled appointment time. Storybook wardrobe varies by location.
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Expire: 2015-12-31 23:00:00
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Glamour Shots – Boudoir Photography

Boudoir photography is an empowering experience all women should have the opportunity to try. That is a bold statement and one we stand behind as this is a session for women to feel beautiful, powerful, and very sexy. Session includes one personalized makeover with professional makeup artist and a $ 50 print credit towards portrait purchases of $ 100 or more for $ 39.95*.
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Expire: 2016-01-31 23:00:00
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Glamour Shots – Boudoir Photography

Boudoir photography is an empowering experience all women should have the opportunity to try. That is a bold statement and one we stand behind as this is a session for women to feel beautiful, powerful, and very sexy. Session includes one personalized makeover with professional makeup artist and a $ 50 print credit towards portrait purchases of $ 100 or more for $ 39.95*.
Code: Not Required
Begin: 2015-11-02 00:00:00
Expire: 2016-01-31 23:00:00
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Glamour Shots – Winter Storybook Photography

Dress up the kids in their warm winter outfits and book a Winter Storybook photo session! During the session your little one will strike their festive winter poses. Afterward, families will view the results and select the pose they like best to be printed and turned into a digital image. Our talented graphic artists will then add a digital background and effects to the chosen pose, creating a whimsical winter wonderland scene. *Ages 1-15. Limit one special per customer or family during each promotional period please. Price of offer includes two children. Child appropriate makeovers available for an additional fee. In-studio only. Customers under 18 must be accompanied by a legal guardian. All services must be redeemed during 1 visit and must be used by same customer. Not valid for existing orders, reprints, enhancements, or special orders. Shipping & handling may apply. May be used on any type of kid’s session. Deal is of 1 pose only. Additional package options available day of session. Hair and makeup not available. Due to high appointment volumes at many of our locations you may be contacted for a refundable reservation fee to secure your appointment date and time. If you need to cancel your appointment, the reservation fee will be refunded if it is canceled at least 48 hours before your scheduled appointment time. Storybook wardrobe varies by location.
Code: Not Required
Begin: 2015-11-12 00:00:00
Expire: 2015-12-31 23:00:00
Coupon Feed

Glamour Shots – Boudoir Photography

Boudoir photography is an empowering experience all women should have the opportunity to try. That is a bold statement and one we stand behind as this is a session for women to feel beautiful, powerful, and very sexy. Session includes one personalized makeover with professional makeup artist and a $ 50 print credit towards portrait purchases of $ 100 or more for $ 39.95*.
Code: Not Required
Begin: 2015-11-02 00:00:00
Expire: 2016-01-31 23:00:00
Coupon Feed

Glamour Shots – Winter Storybook Photography

Dress up the kids in their warm winter outfits and book a Winter Storybook photo session! During the session your little one will strike their festive winter poses. Afterward, families will view the results and select the pose they like best to be printed and turned into a digital image. Our talented graphic artists will then add a digital background and effects to the chosen pose, creating a whimsical winter wonderland scene. *Ages 1-15. Limit one special per customer or family during each promotional period please. Price of offer includes two children. Child appropriate makeovers available for an additional fee. In-studio only. Customers under 18 must be accompanied by a legal guardian. All services must be redeemed during 1 visit and must be used by same customer. Not valid for existing orders, reprints, enhancements, or special orders. Shipping & handling may apply. May be used on any type of kid’s session. Deal is of 1 pose only. Additional package options available day of session. Hair and makeup not available. Due to high appointment volumes at many of our locations you may be contacted for a refundable reservation fee to secure your appointment date and time. If you need to cancel your appointment, the reservation fee will be refunded if it is canceled at least 48 hours before your scheduled appointment time. Storybook wardrobe varies by location.
Code: Not Required
Begin: 2015-11-12 00:00:00
Expire: 2015-12-31 23:00:00
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Glamour Shots – Winter Storybook Photography

Dress up the kids in their warm winter outfits and book a Winter Storybook photo session! During the session your little one will strike their festive winter poses. Afterward, families will view the results and select the pose they like best to be printed and turned into a digital image. Our talented graphic artists will then add a digital background and effects to the chosen pose, creating a whimsical winter wonderland scene. *Ages 1-15. Limit one special per customer or family during each promotional period please. Price of offer includes two children. Child appropriate makeovers available for an additional fee. In-studio only. Customers under 18 must be accompanied by a legal guardian. All services must be redeemed during 1 visit and must be used by same customer. Not valid for existing orders, reprints, enhancements, or special orders. Shipping & handling may apply. May be used on any type of kid’s session. Deal is of 1 pose only. Additional package options available day of session. Hair and makeup not available. Due to high appointment volumes at many of our locations you may be contacted for a refundable reservation fee to secure your appointment date and time. If you need to cancel your appointment, the reservation fee will be refunded if it is canceled at least 48 hours before your scheduled appointment time. Storybook wardrobe varies by location.
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Expire: 2015-12-31 23:00:00
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Ipad And Iphone Digital Photography Tips And Tricks

Ipad And Iphone Digital Photography Tips And Tricks


iPad and iPhone Digital Photography Tips and Tricks Easily Unlock the Power of Digital Photography on Your iPad or iPhone Discover hundreds of tips and tricks you can use right away to capture, edit, and share amazing photos with your iPad or iPhone! This easy-to-understand guide teaches you all the iOS skills and photographic techniques you need to go far beyond snapshots. Whatever you’re shooting–portraits, candids, babies, sports, pets, landscapes, vacations, nature, anything–it will help you get incredible results. Then, you’ll master more ways to share your images than ever before: at home, in print, online, in the cloud, everywhere. You’ll learn how to squeeze maximum performance out of your iPhone or iPad’s built-in cameras and photo apps, and discover low-cost apps and tools for doing even more. Whether you’ve been taking iPhone/iPad photos for years or you’re just starting out, you’ll have way more fun and get way better results! Here are just some of what this book’s tips, tricks, and strategies will help you do: • Get awesome results with the built-in Camera and Photo apps • Master 10 easy strategies for taking better iPhone/iPad photos • Use the Grid and Rule of Thirds to professionally compose and frame your shots • Choose the best shooting angle and perspective for every image • Capture great photos in low light • Make the most of built-in flash or HDR mode • Take great group shots and baby pictures • Shoot sporting events without blurring • Efficiently view, organize, edit, and share pictures with the Photo app • Transform “just OK” images into great photos with the optional iPhoto app • Discover great low-cost tools, from image editors to lights, lenses, and tripods • Showcase photos on your high-def television • Easily create online galleries and animated digital slideshows • Back up your latest images, and share them with all your Apple devices • Share online iCloud-based Photo Streams with friends, family, and nobody else
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Plan Out a Picture Perfect Wedding Day With These Handy Photography Tips (INFOGRAPHIC)

Though single life is great, at some point, many people decide that it’s time to get hitched with that special someone. However when that day finally arrives there are a plethora of disasters waiting to happen. And with so many cameras around, some of it is sure to get caught on film. From that one uncle nursing his fifth cocktail in the background, to the unforgivable “prom pose” between the bride and groom, there are some pretty unfortunate wedding photos out there. And when they’re truly horrendous, they end up published on the Internet with captions like “Seriously Awkward Wedding Photos” or “Avoid These Cringe-worthy Poses At Your Wedding.” Long story short, you don’t want to be that couple browsing the web one day only to discover that you’ve unintentionally become famous for the wrong reasons.

With your marriage being such a momentous occasion in your life, it’s important to document the big day properly. After all, when you’re reminiscing over tying the knot with your loved one, you don’t want to look back at your sole wedding album and grimace at every memory. Nobody wants to be fretting about having to Photoshop every guest’s red eye when they receive the final photos. Not to mention, asking yourself why the photographer failed to inform you that there was lipstick smeared on your teeth should be the least of your worries.

Fortunately such wedding picture mishaps are uncommon. In fact the majority of wedding photographers you’ll come across are professionals and have even the most difficult ceremonies under control. Yet with all the chaos of planning a wedding, from the centerpieces to the dinner entrees, it’s all too easy to let something like photos fall through the cracks before you say, “I do.” And of all the to-dos on your checklist, ensuring there will be a way to record this special event should be a top priority.

Thankfully, this helpful infographic courtesy of Shutterfly provides everything you need to know to guarantee a picture perfect wedding. It has you covered whether you’re having trouble pinpointing the ideal time of day you should set aside for wedding party photos or going over exactly what type of images you are looking for with your photographer. This handy chart will guide you in the right direction. It’ll answer all your burning photography questions and make things considerably easier for both you and your spouse-to-be.

Picturing Your Big Day

This infographic is provided to you by Shutterfly, the leading online provider of photo books, cards and home decor.

Infographic credit: Shutterfly.

This author is not financially associated with Shutterfly.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.




Weddings – The Huffington Post
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Yarn happy upscale fine drill circular Crown rhinestone bridal Crown wedding photography hair color

Yarn happy upscale fine drill circular Crown rhinestone bridal Crown wedding photography hair color


Yarn happy upscale fine drill circular Crown rhinestone bridal Crown wedding photography hair color
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Barren Optimism: How My Photography Is Influenced by Andrew Wyeth’s Paintings

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“Barren Optimism” Photo Credit: Heather Hummel Photography

I captured this self-portrait, titled “Wading Through,” at King Family Vineyards in rural Crozet, Virginia. When I asked the owner, James King, about the field’s status, he indicated that it had peaked two weeks earlier, on July 12th. He could not have known that was also my 50th birthday.

The next day, I ventured out to the field anyway. I passed a polo match, carrying my camera, lenses, filters, and tripod, and headed to the way-back corner of the property. When I turned the corner past the long fences, I liked what I saw. The sunflowers were mostly died off with just enough still hanging in there. The metaphor was strong. It set a different tone than the typical field of flowers–one that began a photo shoot that was inspired by my love for Andrew Wyeth’s work.

The sunflower scene brought the words “barren optimism” to mind, Andrew Wyeth’s “Christina’s World” being my inspiration.

Having studied Wyeth’s work some years ago, I knew that he and I shared a lot of commonalities beyond our mutual respect for hillsides and nature. We share the same birthday, July 12th (his 1917, mine 1965); he is one of five children, I am one of six; he had a medically challenged childhood that kept him home schooled, I was home most of my 3rd grade year due to a congenital heart defect that lead to my first open heart surgery in 1974; and one of his many muses was his dog who looked just like my own dog, Stephan.

It was Wyeth’s work “Master Bedroom” that became my favorite even before Stephan came into my life.
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“Stephan” Photo Credit: Heather Hummel Photography

Wyeth spent his years between his home in Pennsylvania and his summer home in Maine. I grew up in New England, but have traveled across the United States several times. We are both inspired by nature, and I find that his work rather barren with a hint of optimism, hence my term barren optimism.

As can happen with a muse or inspiration, I hadn’t realized how much Wyeth’s work had influenced my photography until I captured the sunflower field self-portrait. Wyeth remains a favorite, and during my future photo shoots, I will certainly have him in the back of my mind as I analyze the scene before me, the light, and the opportunity for barren optimism.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.




Arts – The Huffington Post
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Digital Photography for Beginners: How to Create Great Photos for Fun or Profit

Digital Photography for Beginners: How to Create Great Photos for Fun or Profit


This book will help you become a digital shutterbug. It explains everything in plain, non-technical terms. You now have an incredible array of digital cameras to choose from and the question is what are the differences and which are the best cameras for your needs?This book reviews features of the less expensive point and shoot cameras. Then, it covers interchangeable lens cameras and explains some of their superior qualities. It points out the differences between mirrorless cameras and reflex cameras. You are then taken inside a digital darkroom where software programs let you alter and touch up your photos, crop them, enlarge them and print them. If you are looking to earn money by taking pictures, you will learn about setting up a studio and the equipment youll need. You will learn about wedding photography, taking product shots, repairing damaged pictures, news and sports photography as well as selling your pictures to stock photography agents. Find out how to share your photos using photo repository sites. Take a look at software programs which will help you store and organize your collection.

Price: $
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A Hungarian Lens on Photography

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Picasso by Ervin Marton, courtesy of Stephen Cohen Gallery

“It is not enough to have talent,” photographer Robert Capa once said, turning an old saying on its head. “You also have to be Hungarian.” By which he meant Hungarian-Jewish. This point is reinforced in an exhibition of post-World War II Paris photographs by Ervin Marton at the Stephen Cohen Gallery on Beverly Boulevard.

The contributions of Hungarian Jews to photography is mind-boggling: Legendary war photographer Robert Capa (born Endre Friedmann) co-founded Magnum; younger brother Cornell Capa, in addition to shooting for Life magazine, became a photo curator and founded New York’s International Center for Photography (ICP). Martin Munkacsi (born Martin Mermelstein) pioneered fashion photography (including taking the first fashion photograph for Harper’s Bazaar in 1933), and the elegant abstract compositions of Laszlo Moholy-Nagy (born Weiss) established photography as an art form. The list also includes icons Andre Kertesz (born Andor Kohn) and Brassai (Gyula Halasz).

Marton, who is less known, was well regarded in his time by Brassai and Kertesz, older artists whom he befriended. The show provides a sampling of Marton’s versatility. “We wanted to show the different traditions that surface in Ervin Marton’s work,” Gallery associate Ian McPherson explained. Marton “was a very skilled portraitist, a skilled street photographer, and he was drawn to experimental techniques.” The images include portraits of Pablo Picasso, as well as French writers Jean Cocteau, Jean Genet and Jacques Prévert. Marton’s portrait of Picasso in profile has been used by the Picasso Museum in Paris as well as for other Picasso exhibitions, Gallery owner Stephen Cohen said.

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Ervin Marton’s “Pont des Arts,” circa 1945, is part of a show of Marton’s post-World War II Paris photos, at the Stephen Cohen Gallery.

Marton was born in Budapest in 1912. His cousin, painter Lajos Tihanyi, was among a group of Hungarian-Jewish artists who moved to Paris in 1924 that included Brassai and Kertesz (Kertesz went on to New York but often returned to visit Paris). In 1937, as Hungarian fascists began to promulgate anti-Semitic laws, Marton also moved to Paris, where he would live for the rest of his life.

Through his cousin, he became friendly with a group of older artists in Paris, whose circle included Picasso. When the Nazis overran France, Marton joined the French resistance and worked with other Hungarians and foreigners, making false identity cards for people wanted by the Nazis, as well as producing and distributing numerous underground fliers. For these efforts, Marton was later awarded France’s Medaille de la Liberation.

After the war, Marton received commissions from the French government, including from Culture Minister Andre Malraux, to take portraits of France’s greatest artists, including Renoir, Chagall, Brassai and even Pierre Cardin (several of these images are at the Cohen Gallery exhibition).

The exhibition also includes several of Marton’s photographs of Paris street life, including strolling lovers, playing children and a fire-breathing performer. “I always think of Brassai and Marton as two sides of a coin: darkness and light. Brassai worked mostly at night; Marton’s pictures are sweeter,” Cohen said. Marton died in 1968; the Stephen Cohen Gallery has represented the estate since the 1990s.

As to why Jews from such a small country have had such a large impact on photography, there are several theories: It turns out that in the 1920s and 1930s in Budapest, a camera was a popular bar mitzvah gift. Plus, if you have to move to another country, photography requires no translation. Perhaps being a small but irrepressible minority in an isolated country gave these artists the best possible perspective to use behind the lens.

Whatever the reason, the nimbleness of mind and explosion of talent of Hungarian Jews of that generation was best expressed by physicist Enrico Fermi in his much-quoted answer about the existence of extraterrestrials: “Of course, they are already here among us; they just call themselves Hungarians.”

“Ervin Marton: Paris, the Post-War Years” is on view through July 3 at the Stephen Cohen Gallery, 7354 Beverly Blvd., Los Angeles. For more information visit www.stephencohengallery.com .”

This article originally appeared in print in The Jewish Journal of Los Angeles

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Arts – The Huffington Post
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Getting Your Photography Published 2.0

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Firstly, let me say that I have written about this topic before – hence the 2.0. Regardless, it is still the number one question I get asked, “How did you publish your photography? What can I do to get my work published?” There no simple answer to these questions. However, there are a number of things you can do, and a few things you shouldn’t do, that are worth pointing out.

Do you have a project worth publishing? This is perhaps the most important first step. Answer this question not only with honesty, but with the input of others, ideally a professional editor. You would be surprised at the number of “press-ready” projects I see that are, if anything, absolutely not ready for publication. Publishing a book of photography has to be more than merely making a photo album and then sending it out into the world. The narrative needs to be tight, there needs to be a story. You also need to make sure the work is well edited. If your project contains two hundred images, you should aim to publish around fifty or sixty, not the entire two hundred. Photographers often drown out their good work in a sea of “okay” work. This is a very common mistake. Be selective and edit without mercy, then, do it again! Also, like I said, seek help. Portfolio reviews are one of the best ways to do this. Many photographers, including myself, offer portfolio reviews for peers and friends. It’s not me saying I know more than you, it’s me saying as a fellow photographer – a peer – allow me to review you work and provide you with a sober second opinion. Shelve the ego from the very beginning or you will never make it to press!

Next, I highly recommend making a mockup book. Use a self-publishing service like Blurb or Lulu and make a book which represents, as closely as possible, what it is that you want the actual publisher to produce. Publishers will be able to actually see what you are proposing, rather than simply a pile of photos. This process may also help you to see what it is you have and whether or not you feel it is the right moment to press ahead with the work.

Consider your proposal from an outsiders point of view. Are you known as a photographer? If not, what makes you feel your work would be of interest to anyone, especially at a cost? Publishers are not into stroking egos, so you will have to find something about your work which is unique and attractive from a business point of view. Remember, presses, even small ones, are in for a profit. Even “nonprofit” presses frown upon publishing books which are nothing more than a colossal expense. If you’ve never been published in magazines, or exhibited in galleries, chances are your project will be a hard sell to a traditional publisher. Rather than chasing this impossible dream, I recommend spending more time entering contests and submitting to magazines and galleries to try and build a better resume prior to approaching a book-length project. There are also other alternatives too.

Artist books are a great alternative. That is, produce the book yourself. Self-publishing is not to be discounted. It’s true that there is still some stigma attached to this route in the literary word, but that is not the case with art and photography. Photographers have been publishing their own work from the very beginning. Famous photographers like Martin Parr have been at this for decades with great success. Because the books are more objets d’art, and less books, they usually accumulate higher value. Some of Parr’s out-of-print books sell for hundreds if not thousands of dollars. Because you are in control, and are usually producing in small numbers, you can produce books which are of a higher quality. Milk Books is a great service for this option. Produce in a limited number and hand-sign and number your books. This method has often been more successful and profitable for many photographers anyway.

Whatever you do, don’t simply mass mail your book project out to every press you can find on the internet. This is a waste of time, money (in the case of mockups) and you will likely also annoy editors and publishers, who will not be so quick to forget your name. Be careful, your career will hopefully be long and successful. Just because Taschen doesn’t want to publish your book today, doesn’t mean they won’t want it a decade later. As is the case with everyone, they save databases of correspondence, if you tell them off now, you may regret it later on. Be smart. Submit appropriate mockups that are truly ready for publication to selective presses. If you get several rejections this is not an indication that presses are evil and you should teach them a nasty lesson in a hastily written email, it is rather an indication that likely your work is not ready for book form.

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I asked my own publisher to weigh in with his thoughts on this process. Here’s what Joe Pan, publisher at Brooklyn Arts Press, had to say:

“Style in photography is elusive, meaning it’s incredibly difficult for a photographer to develop a style that doesn’t come off as a direct emulation of a more well-established photographer. Plus, we’ve been overexposed to images our whole life, so finding true unique qualities in photography is rare. That said, when someone is capturing something in a way that works on a deeper level, it leaves you breathless. That’s the mark, when it hits you like the perfect haiku, bewilderment borne somehow from the common. You can deconstruct a photo a hundred ways, yet you can’t deconstruct so easily presence of mind, or the architecture of urgency, or a gaze’s natural empathy, each of which any person standing in front of a photograph for the first time can experience without being told what to expect. When looking over photography books for BAP, we look for these indescribable qualities made present. The biggest mistake, honestly, is people thinking they’re ready for a book when they aren’t. Or misunderstanding how images in close proximity are speaking to each other, or purposefully clashing, or aren’t speaking at all. In terms of what MUST be present: vision.”

Indeed, Joe has nailed it. Most projects are premature. Successful books of photography are almost always produced by photographers who have developed a distinct and recognizable style of photography. It also has to be somewhat innovative in approach, that is you don’t have to be unique, but no one is interested in publishing a Gilden copycat either. Be different. Take time to find out what that means in terms of your work. It took me many years of all kinds of approaches and techniques to develop my style. I only knew I was finally onto something when I began to see photographers copying me. Imitation being the highest form of flattery, right? It was still annoying, but it told me to press ahead as something was happening. I also received a lot of criticism, both positive and negative. That too indicates some degree of success. No one is interested in criticizing work that is pointless and irrelevant because it is unnoticed to begin with. No, people criticize work because it is coming up on the radar. As Andy Warhol used to say, “I measure criticism by the inch”.

Artist Chuck Close offers some good insight here too. He comments in the documentary, Smash His Camera that “photography is the easiest medium in which to become competent. Anybody can take a competent picture, but it’s the hardest medium in which to express some kind of personal vision. The fact that you can have something that is recognizable from 50 feet across the gallery, like an Arbus or a Penn, it means they really have done something.” Does your work have that recognizable quality that is your own? If not, maybe continue to work on your craft and style. If you do have this, perhaps it is time to look toward publication and getting that work into a permanent home.

So, you do in fact land a book deal. Great. Beware of the publishing process. You will not be in control, the publisher will. You may, especially if you work with a small press, have some input into cover image and title etc., but often times you will not. You must be ready to sacrifice your work to a compromise. You also need to be prepared to do a lot of leg work. Unless you are with Steidl, you will be the one doing most of the promotion and selling. This may even be formally stated in your contract. However, if it isn’t don’t think for a second that any press is going to be amused with your hands off artiste approach. If you don’t think you can sell your book, don’t publish it. Simple. Furthermore, realize that no books, especially today with democratic access to publishing, sell themselves. It just doesn’t happen. Publishing a book and calling it a day is like digging a hole and burying your photography. Think about all this stuff carefully. Perhaps you don’t even want a book!

Finally, one of the biggest things you can do to help get your book of photography published is to BUY PHOTOGRAPHY BOOKS. I’m not talking about the classics either. Those books have already paid for themselves and the photographers, for the most part, are dead. I mean buy books by emerging artists, by your peers. If you’re not interested in buying a book of photography what makes you think anyone is going to run out to the Strand and buy yours? Photography should be about community and supporting one another in a way which, collectively, benefits everyone. If everybody is merely self-absorbed, jealous, and too cheap to buy a book, then nothing is going to happen for anyone. Game over.

Michael Ernest Sweet is a Canadian writer and photographer. He has two full-length books of street photography, “The Human Fragment” and “Michael Sweet’s Coney Island” both from Brooklyn Arts Press in New York. Follow Michael on Facebook or through his website.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Arts – The Huffington Post
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Understanding Digital Photography

Understanding Digital Photography


Using his popular bad image/good image pairings of real-life examples, Bryan Peterson takes the reader through all the techniques needed to succeed with digital photography in every popular genre: nature, people, sports, interiors, travel, low-light conditions, travel, weather, commercial portraits, macro, and wildlifeeven how to use creative tricks such as reflections. As a bonus, Peterson explains, in straightforward text, the techniques of Photoshop as well as the basics of publishing, printing, and archiving and storing for personal or professional use. Full of great examples for beginners and serious photographers, Understanding Digital Photography makes it easy to create great digital pictures every time. From the Trade Paperback edition.
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The Gekkopod: My New Favorite Photography Accessory

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Photo Courtesy of Zuckerim

Accessories are a photographer’s best buddy in the field. From filters to tripods to camera bags, there are so many to choose from, and figuring out what works best for your needs can be daunting. I learned this recently when I started a YouTube series titled “In the Field with Heather Hummel Photography” where I walk viewers through the shot being captured and the settings used. It has been a lot of fun taking my audience into the field with me. My iPhone captures great videos; the only problem was trying to set it up where it would stay stable while recording the in-the-field footage! My short-term solution was to hold the iPhone myself and video the scene before me. This worked as a good solution because viewers can see the scene through my eyes. However, I like to connect with my viewers on a personal level and by my not being in the scene, I felt a bit disconnected. That is until I discovered the Gekkopod!
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Photo Credit: Heather Hummel Photography

I’ve written about the importance of using a tripod in low light photography, and now I have to share my new favorite accessory in the tripod division. The Gekkopod. Developed by Zuckerim, this cool, five-legged handy gadget has quickly become my go-to accessory for my iPhone when I use it to video record the “In the Field with Heather Hummel Photography” series.
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Photo Credit: Heather Hummel Photography

What I love about the Gekkopod, and although I have only had it for a short while, is that I am discovering countless uses for it. I use it as a simple stand for my iPhone, whether on my desk or nightstand. As a cyclist, I can wrap it around my handlebars, keeping my iPhone in view as I use the AllSport app, my speed and mileage et al tracker. Other athletes, especially those with GoPros, can take it on the run, bike, hike, or paddle with them and be able to capture their moments without needing someone else to take the shot or without having to outstretch an arm. Which brings me to one of the best aspects…the Gekkopod eliminates the need for the typical selfie, whether taken with an arm or a stick (which still often requires an outstretched arm to use it). Instead, with the Gekkopod, I can stand it up on a surface or wrap it around a branch or pole a few or several feet away. Then, I set the self-timer on the Camera app and within a few to ten seconds I have a natural looking shot without a bicep taking up half of the frame!
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Photo Credit: Heather Hummel Photography

Weighing in at just 50-grams, I can clip the Gekkopod to my camera bag or wrap it around my tripod while trekking to my shoot without adding hardly any weight at all. The Gekkopod fits all popular smartphones. I have the iPhone 5s and it snaps in perfectly. There are also a few add-on adapters that allow me to swivel and turn the iPhone from horizontal to vertical, and anywhere in between, allowing for a variety of shots or to accommodate awkward angles. For example, if I’m shooting a video on a hiking trail and wrap the Gekkopod around a tree limb, I can adjust the swivel to make the iPhone as level as I need it during a shoot.
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Photo Credit: Heather Hummel Photography

As I shoot new footage for the “In the Field with Heather Hummel” series, I will be using the Gekkopod to ensure my ability to be in the shot. While I’m on my bike rides, I’ll be using it to stabilize my iPhone as I track my success for each mileage covered. While at my desk writing my next book, one of which is due to my publisher in ten days, I’ll use the Gekkopod as a stand to hold my iPhone next to my laptop. The next time I Skype with a client, I’ll also use it as a stand. The uses are countless, and this five-legged gadget will surely go on a lot of photography adventures with this photographer.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Arts – The Huffington Post
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Naked Erotic Photography Stories

Naked Erotic Photography Stories


A young newly wed couple is going to travel the country having sex in each state. They will also take pictures of themselves and others on their erotic adventure. This is an erotic bundle of short stories written by members of a nudist colony. The couple will travel to remote parts of world and visit naked tribes and nudist colonies in exotic locations. The stories will continue with the same characters in the other e-books by Fionna and Dick Free Man. Dick and Fionna Free Man is a pen name for one writer with both a masculine and a feminine side. There are many elements of murder mystery BDSM, fetish sex, vampires, werewolves, fantasy fiction, sci-fi, pleasure, lust, desire, temptation, passion and seduction! Dick and Fionna are a make believe married couple with a fictional daughter named Fanny. Look for erotic romance e-books by Dr. Fionna Free Man Sex Therapist. Also e-book author called Willa B. Free does Erotic photography of nude couples in exotic location and famous landmark in all 50 states. The couple writes about sex stories, love, smut, temptation, desire, lust, seduce, forbidden, fetish, romance, kissing, touch, aroused, relationship, girlfriend, boyfriend, come read them all!

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Effortless Beauty: Photography as an Expression of Eye, Mind and Heart

Effortless Beauty: Photography as an Expression of Eye, Mind and Heart


Effortless Beauty: Photography as an Expression of Eye, Mind and Heart

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Jordan B. Stead on Mobile Photography

I am honored to have many mentors in the field of photography. From mobile photographers, photojournalists, fashion and portraiture, sports…you name it, I have support from many of these great people.

I want to introduce you to one of them.

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A few years back, We Are Juxt/ Grryo – an international mobile photography collective, was able get press credentials to the University of Washington Athletics Program. We were able to shoot sidelines at Pac-12 football games and courtside basketball games – and all with our mobile phones. Many times we were greeted by puzzling looks by the credentialed photographers shooting with monstrous telephoto lenses. Only a few times were we greeted with, “Hey that’s awesome you get to shoot out here with your mobile phone. It’s not about the tool, it’s about the artist.”

Well Jordan was one of those people. He never looked at me or the others as if we didn’t belong. He always looked at us as colleagues. Needless to say this led to a great friendship between he and I. We then would talk shop about photography but more importantly we talk about life and photography. Trust me. There’s a difference.

During MLB’s Opening Day at Safeco Field for the Seattle Mariners, I ran into him and he was so happy to tell me that he decided he was going to shoot the game mostly with his trusty iPhone and his favorite app, Hipstamatic. I told him that we have got to put that on the blog.

Click this here to see the rest of the photos from the game but also and more importantly check out his words that accompany the photos.

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Again, Jordan is one of the photographers in Seattle who inspire me. He is always supportive and given the opportunity I just had to give you all a small glimpse of my friend – Jordan B. Stead.

*I will be doing a more in-depth interview with Jordan in the future.

Tell us what you like about mobile photography.

Using a mobile device to shoot images with is simply another tool in your toolbox as a photographer. I enjoy the portability and ease of posting, but most of all, the automated process of using a phone to make pictures. Shutter speed, aperture, image blur, noise, etc…it all goes out the window when you ditch the SLRs for the phone. It’s refreshing; focusing solely on moment and composition can help hone your skills when you pick up your camera bodies again. In the meantime, have fun with that camera in your pocket.

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How do you think you can utilize mobile photography within your personal work and if possible your professional work?

Mobile photography is almost always a personal endeavor for myself. I enjoy it as a visual diary from day to day, but do like to challenge myself to shoot assignments for work on my phone, when possible and applicable. There’s a time and place for everything.

You provided a few of your favorite images. Can you tell us more about each image?

The five images I provided sum up the visual palate of my Instagram feed in a succinct, Seattle-y way. Phones are best suited to shoot portraits, details, texture and, yes, selfies, so I tend to keep my mobile content to specific subjects. The consistent look is made possible by use of one camera/ lens combo in the Hipstamatic app, shot on an iPhone 5S. Minor tweaks are made in-app on Instagram, right before uploading. I link my Instagram to Twitter to cross post.

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How do you see the mobile photography has changed the industry or even just the creative world of photography?

As with anything new, it took us all for a spin. Things will calm down in coming years – but until then, the hype continues. Just as the advent of “pro-sumer” SLRs did, mobile cameras in our phones opened up the idea of “being a photographer” to an even larger audience…for better or for worse.

Can you name some of your colleagues who you find are doing great work within mobile photography?

Two great Instagram folks to follow (although not all images were shot on mobile) are Ian Bates and Ryan Dorgan. Both gentelemen are good friends of mine, both of which I initially connected with through mutual attendance of photo conferences around the United States. They will fill your feed with unique – often quiet, thoughtful – imagery from their respective locations. Ian is a recent transplant to my hometown of Seattle, WA, and Ryan is based out of Wyoming.

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How do you see Instagram as a platform? How do you use it?

Anything owned and operated by Facebook is more or less unavoidable, and for what it does, I enjoy the simple interface and speed of the app.

For a long while, I was using my Instagram as a dumping ground for secondary images from work and a smattering of random moments in my personal life. I soon realized: Who cares? What am I trying to say? After some consideration, my affinity for moody, black and white mobile imagery won over, and since then (about a year ago), my feed is a solid monochromatic alternative to the color-heavy SLR work created while on my day job as a staff photographer at SeattlePI.com. I’m happy with it as a secondary outlet with a different vision.

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Jordan Stead is a staff photographer for SeattlePI.com, visual educator and avid fan of the Pacific Northwest region of the United States. He can be reached on his website or on Twitter & Instagram with the shared handle of @jordanbstead.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Arts – The Huffington Post
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70ies Erotic Photography, #08

70ies Erotic Photography, #08


This is a photo ebook with original pictures taken in the early 70ìes. Gina Nielsen spend years to collect old erotic material from retired former erotic photographers. See nude girls in very tasty erotic positions from your Mom `s generation. Really interesting to see today becouse girls are unshaved, have much smaller breasts than women today and the clothing & accessoires is typical for the 70ìes and so different. A real erotic time journey with beautiful and very natural scandinavian girls. Enjoy ove 100 photos in this ebook. Please note that this scans been taken from 70ìes original slides and can`t compare to today digital photo standards. One other hand this a sign for 100% genuity and originality. See your Mom`s generation sexy now and enjoy the photos. New 70ìes titles soon.

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Book: Professional Wedding Photography: Techniques and Images from…

Book: Professional Wedding Photography: Techniques and Images from…


This book titled Professional Wedding Photography will help you learn everything you need to know to embark in professional wedding photography. In a field where clients grow more demanding and style savy every day, wedding photographers can’t depend on happy accidents. To capture images that satisfy their clients and stand the test of time, they must learn to inspire expressions, modulate lighting, pose the subject in a flattering manner, adjust composition, and interact well with the couple and their guests.In this book, Lou Jacobs Jr. interviews ten of today’s top wedding pros to garner their advice on capturing great shots and conquering business basics. Each chapter features one artist’s working habits along with fifteen to twenty of their most popular and enduring images, marrying inspiration and education.FEATURES:Marketing and promotional ideas for bigger profitsTips for scheduling sessions, conducting consultations, and presenting imagesInsights into inspirations, work habits, and influences of top shootersLou Jacobs Jr. is the author of Amherst Media’s Photographer’s Lighting Handbook and Take Great Pictures: A Simple Guide. He has also contributed articles and images for many publications, including Popular Photography, Rangefinder, Modern Photography, Petersen’s PhotoGraphic, Modern Maturity, and Campus Photo.
List Price: $ 34.95
Price: $ 34.95

Mario Testino to Be Honored by International Center of Photography

Mario Testino will be honored with a special presentation at the International Center of Photography’s 2015 Infinity Awards on April 30 at Pier Sixty.

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Book: Children’s Portrait Photography Handbook

Book: Children’s Portrait Photography Handbook


Children are notoriously difficult to photograph, but this book provides all of the techniques and insights that you need to succeed. Rangefinder editor Bill Hurter takes you behind the scenes with some of the world’s top children’s photographers to explore their amazing images-and see precisely how they created them. Packed with practical ideas, strategies, and stunning portraits from the industry’s most highly acclaimed photographers, this book will both inform and inspire. FEATURES: Selecting the right camera and lighting equipment for photographing rambunctious childrenStudio lighting techniques for formal and casual portraitsUsing window light to create natural-looking imagesTaking your session outdoors for portraits that reflect the energy of kids at playPosing tips for infants, toddlers, school-age children, and senior portraitsAge-specifc psychological insights for talking to kids and planning a shoot that will make your job easierStrategies for creating albums your clients will treasure ABOUT THE AUTHOR Bill Hurter is the editor of Rangefinder magazine. He is the former editor of Petersen’s Photographic and is a graduate of Brooks Institue of Photography, from which he holds an honorary Masters of Science degree. He has been involved in professional photography for more than twenty-five years.
List Price: $ 39.95
Price: $ 39.95

90ies Erotic Photography #10

90ies Erotic Photography #10


This is a photo ebook with original pictures taken in the early 90ìes. Gina Nielsen spend years to collect old erotic material from retired former erotic photographers and published a series of 80ies photo eBooks with the well known erotica eBook publisher & author Brandon Carlscon. See nude girls in very tasty erotic positions from your Mom `s generation. Really interesting to see today becouse girls are unshaved, have much smaller breasts than women today and the clothing & accessoires is typical for the 90ìes and so different. A real erotic time journey with beautiful and very natural girls & wives from your Mom`s generation. Enjoy over 100 photos in this photo ebook. Please note that this scans been taken from 90ìes original slides and can`t compare to today digital photo standards. One other hand this a sign for 100% genuity and originality. See how sexy and erotic your Mom`s generation been and enjoy the photos. New 80ìes & other erotic titles soon. Thanks for reading.

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Guitar photography collage – guitarist musical instrument card Greeting Card

Guitar photography collage – guitarist musical instrument card Greeting Card


7 x 5 Paper Greeting Card
List Price: $ 3.50
Price: $ 3.50

A Guide to Digital Railway Photography

A Guide to Digital Railway Photography


For all keen amateur railway photographers this book provides a wealth of practical advice and suggestions for producing top quality railway images with a digital camera. As well as detailing all the basic principles and more advanced techniques, the author also provides top tips on useful corrective editing techniques using standard photo editing software available for most computers. Also covered is how to prepare and display photographs on the internet and also how to produce prints to a commercial standard. Practical case studies show before and after images with detailed and helpful explanations. Packed with colour photographs showing examples of both modern and steam traction, this valuable guide by an experienced railway photographer will be a must-have buy both for more experienced photographers and beginners.

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The Wedding Photographer's Handbook: a guide to modern wedding photography

The Wedding Photographer's Handbook: a guide to modern wedding photography


The Wedding Photographer''s Handbook instructs the photographer in all they need to know about getting into the lucrative wedding photography business.

The book is designed for two types of photographers:

For photographers who are already in the wedding business but may want to get an edge.

For photographers who have worked in other fields but may want to start taking wedding pictures.
The Wedding Photographer''s Handbook gives step-by-step instructions on how to book the weddings, what to photograph and how to deliver the end product.
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How to Make Money in Photography Doing What You Love

How to Make Money in Photography Doing What You Love


The informative Ebook describes alternative methods of making money, often a full time income in photography even if you have no desire to shoot wedding photography. this book gives examples and websites where you can use your photos to supply you with an income, not only to enable you to buy new equipment, but a living income as well.

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MyStudio MS20 Professional Tabletop Photo Studio Kit w/ 5000K Continuous Lighting for Product Photography, 20x20x12 inches Reviews

How Digital Photography Works

How Digital Photography Works


A full-color, illustrated adventure into the high-tech wonders inside your digital camera by the author/illustrator team that created the bestselling How Computers Work. With clear and simple explanations that say, ‘You, too, can understand this,’ and brilliant, full-color illustrations, How Digital Photography Works, Second Edition, gives you detailed information on the hidden workings of digital cameras, professional picture-taking techniques, and even photo-editing software. Some of the topics covered in this groundbreaking book include: * How Digital Viewfinders Frame Your Pictures * How Twin Lens Cameras and Tilt-and-Shift Lenses Change the Rules * How Cameras Focus on Moving Targets * How Exposure Systems Balance Aperture and Shutter * How Electronic Flashes Create a Burst of Light * How Studio Lighting Creates a Perfect Lighting Environment * How Color Calibration Makes What You See on the Screen Match What You See on Paper * How Your Camera’s Microprocessor Manipulates Images * How Photoshop Expands a Photographer’s Artistry Introduction Part 1: Getting to Know Digital Cameras Chapter 1 The Workings of a Digital Camera Chapter 2 Inside Digital Video Cameras Part 2: How Digital Cameras Capture Images Chapter 3 How Lenses Work Chapter 4 How Light Plays Tricks on Perception Chapter 5 How Digital Exposure Sifts, Measures, and Slices Light Chapter 6 How Technology Lets There Be Light Chapter 7 How Light Becomes Data Chapter 8 How New Tech Changes Photography Part 3: How the Digital Darkroom Works Chapter 9 How Software Changes Pixels by the Numbers Chapter 10 How Digital Retouching Rescues Family Heirlooms Chapter 11 How the Digital Darkroom Makes Good Photos into Great Fantasies Part 4: How Digital Print-Making Works Chapter 12 How Computers and Printers Create Photographs Chapter 13 How Photo-Quality Printers Work Glossary Index

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Fashion Flair for Portrait and Wedding Photography

Fashion Flair for Portrait and Wedding Photography


FASHION FLAIR FOR PORTRAIT AND WEDDING PHOTOGRAPHY shows photographers how to apply the concepts of fashion photography, including preparation, styling, props, lighting, posing, and post-processing, to their portrait and wedding photography. This practical guide demonstrates how using fashion photography concepts and ideas in your work helps you stand out against your competition, grow your business, and make your work more lucrative. You’ll learn how to prepare for a shoot, including choosing the location, wardrobe, hair, makeup styling, and poses, as well as considering the lighting and equipment. You’ll also find in-camera techniques, fashion lighting essentials, Photoshop techniques, and a variety of other tricks to achieve the fashion flair aesthetic. Finally, you’ll discover business and marketing tips, including useful social networking sites, products, and services to help you maximize the fashion flair approach and make it work for you. By offering portrait and wedding clients something unique, they’ll seek you out for striking and powerful imagery that really stands out and offers an experience they won’t forget.

Price: $
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80ies Erotic Photography #07

80ies Erotic Photography #07


This is a photo ebook with original pictures taken in the early 80ìes. Gina Nielsen spend years to collect old erotic material from retired former erotic photographers. See nude girls in very tasty erotic positions from your Mom `s generation. Really interesting to see today becouse girls are unshaved, have much smaller breasts than women today and the clothing & accessoires is typical for the 70ìes and so different. A real erotic time journey with beautiful and very natural scandinavian girls. Enjoy ove 100 photos in this ebook. Please note that this scans been taken from 80ìes original slides and can`t compare to today digital photo standards. One other hand this a sign for 100% genuity and originality. See your Mom`s generation sexy now and enjoy the photos. New vintage titles soon.

Price: $
Sold by Kobo Inc.

Wedding Photography Unveiled: Inspiration and Insight from 20 Top Photographers

Wedding Photography Unveiled: Inspiration and Insight from 20 Top Photographers


“Wedding Photography Unveiled” reveals the art, philosophies, strategies, business practices, and techniques of twenty top wedding photographers from across the United States and showcases their favorite images. The focus is on the freshest styles-especially the blend of photojournalism with more relaxed lifestyle and high-fashion looks, including environmental portraits. These are the styles that today’s brides expect, inspired by the images they see in bridal, celebrity, and fashion magazines. With practical, priceless, straight-from-the-front-lines advice on equipment, setting rates, getting published, websites, albums, and more, this book will give you the inspiration, insight, and instruction you need to navigate the lucrative field of wedding photography.

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70ies Erotic Photography, #02

70ies Erotic Photography, #02


This is a photo ebook with original pictures taken in the early 70ìes. Gina Nielsen spend years to collect old erotic material from retired former erotic photographers. See nude girls in very tasty erotic positions from your Mom `s generation. Really interesting to see today becouse girls are unshaved, have much smaller breasts than women today and the clothing & accessoires is typical for the 70ìes and so different. A real erotic time journey with beautiful and very natural scandinavian girls. Enjoy ove 100 photos in this ebook. Please note that this scans been taken from 70ìes original slides and can`t compare to today digital photo standards. One other hand this a sign for 100% genuity and originality. See your Mom`s generation sexy now and enjoy the photos. New 70ìes titles soon.

Price: $
Sold by Kobo Inc.

A Conversation with Chris Davies, Founder, “Photo Independent: The International Exposition of Contemporary Photography”, Los Angeles

Chris Davies is the President of Fabrik Media, a Los Angeles-based publishing and marketing agency. Concerned by the art fair under-representation of otherwise talented photographers, he founded “Photo Independent: The International Exposition of Contemporary Photography”, held this year from April 25th to the 27th at the Raleigh Studios in Hollywood.

The exhibition, the first of its kind in Los Angeles, features the work of 70 photographers from around the world. The Selection Committee included Daniel Cornell, Palm Springs Art Museum, Graham Howe, curator, photo-historian, and artist, Sarah Lee, curator and gallerist, and Eve Schillo Curatorial Assistant at the Wallis Annenberg Photography Department at LACMA. The exhibition also includes a Guest of Honor, Andy Summers, photographer and member of “The Police”; a Special Exhibitions section; and a series of talks, “The Dialogue,” meant to deepen one’s knowledge of contemporary photography.

JS: Staging the show in a movie studio was, to put it mildly, inspired. How did you come up with that?

CD: I’ve had the idea for this kind of fair for several years now, but wasn’t sure where to stage it (pardon the pun). Then once I saw Paris Photo last year at Paramount Studios, it dawned on me that Raleigh Studios would be the perfect venue and partner for this type of fair. I’ve been on the lot many, many times and loved the feeling of Raleigh Studios.

JS: What was your inspiration for the show? Was there an aha-moment or was it just a gnawing impression that the medium was given short shrift?

CD: Actually, not just the medium, but artists are being given a short shrift. The art fair system is such that if you’re not a gallery or part of a gallery’s stable of artists you cannot exhibit your work at traditional art fairs. I’ve been working with artists for over 20 years as publisher and marketing consultant, and have had many discussions with artists regarding art fairs and their inability to exhibit there because they don’t have a gallery representing them or their dealer that does represent them can’t bring all their artists to the fair. And as mentioned earlier this idea had been percolating for a while.

JS: Why do you think photography is underrepresented at art fairs? Is it cyclical, that is, is it because at the moment the pendulum of art swings more towards installations and painting and less towards photography? Or do you think there is something else at work here?

CD: For a long time there has been a prejudice against photography in the art world. There are still some folk that tell me that painting is art, and photography is not, because there is more than one print struck. These people do not seem to understand the changing reality of our contemporary culture. Photography is the incendiary art form of our time. Photography, Cinema, video – it has permeated our culture to the point where I sometimes wonder really, is there any other art that comes before a camera.

I am being a tad hyperbolic here, but really it’s about time that those among us who practice the art of photography and have raised the bar on the medium, should now be shown and acknowledged as the amazing artists that they are.

JS: What kind of support, especially initially, did you have from the Los Angeles art community?

CD: I have had tremendous support from the Los Angeles art community. Especially from other art fairs here in LA, specifically Photo LA and the Los Angeles Art Show, both mainstays in January’s fair season. Local organizations such as the Los Angeles Art Association, Art Weekend LA, Create:Fixate, and many other such organizations have been tremendously supportive. Not to mention the artists themselves. They are excited about what we have created.

JS: What was the Selection Committee’s mandate in choosing the work?

CD: They were trying to choose work that was both traditional and unconventional.

We wanted to show work that demonstrated both technical proficiency and creative choices that were fresh and offbeat.

JS: Who chose the contributors in the Special Exhibitions segment of the fair?

CD: These exhibitions were chosen by me. I wanted to showcase Andy Summers, not because of who he is and known for, but for who he is as a photographer. He is a great photographer who has not been given the recognition he deserves because of where he came from.

The AX3 winners are breathtaking adventurers; there are some wonderful new talents here and I wanted the world to see them. The AX3 exhibition came from a photography competition Fabrik we ran last year, and I felt this would be a great venue to showcase this talent from all levels of photography — professionals, non-professionals, students and Mobile Photographers.

JS: You’ve set up an impressive educational program. How important is education to the fair itself and to photography in general?

CD: It’s usually a component of most art fairs, and ours as well. Photography is dynamic, it mirrors technology-driven culture that we live in, and its important to me to have the fair be a conduit of information, to communicate the new modalities in the medium and maybe to be a catalyst for the pioneers among us.

JS: What were your biggest challenges in staging the event?

CD: Getting the word out, and establishing a measure of trust so that artists would feel excited about the potential a showing here would give to their careers and at the same time I wanted the artists to feel a measure of safety coming here to Los Angeles.

JS: Is there anything you will do different next year?

CD: Start earlier.

JS: A scant weekend is a very brief amount of time. Especially if the weather turns sour. Will future Photo Independents also run that short?

CD: We will wait and see.

JS: What do you want to be peoples’ walkaway impression from the show?

CD: I want people to be bowled over. Great art makes you change the way you think about the world, change the way you see. I want people to dream about a work that they saw here and think about life in a fresh new way. That is what I feel when I see some of the work here.

JS: How will you determine whether the event has been a success?

CD: The level of enthusiasm among collectors and artists opening night was gratifying. And it was reflected in sales. There are so many artists who have sacrificed alot, to print their work and come to Los Angeles, in the hope that their work would be appreciated… and they are selling. That is what its all about, really, isn’t it?

JS: What can we look forward to in next year’s installment?

CD: I’m hopeful that we will include more of an international contingency in next year’s fair and add to our programming for both artists and photography collectors.

For more information, please visit photoindependent.com.

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Arts – The Huffington Post
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Zonta Yello Rose Art / photography Oval Ornament by CafePress

Zonta Yello Rose Art / photography Oval Ornament by CafePress


Instantly accessorize bare wall-space with our Oval Ornament. Makes great room or office accessories, fun favors for birthday parties, wedding or baby shower Ornaments, or adding a unique, special touch to gift-wrapped packages. Comes with its own festive Art / photography Oval Ornament Instantly accessorize bare wall-space with our Oval Ornament. Makes great room or office accessories, fun favors for birthday parties, wedding or baby shower Ornaments, or adding a unique, special touch to gift-wrapped packages. Comes with its own festive
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20th Century Photography

20th Century Photography


The history of photography began some 150 years ago, but only relatively recently has it been fully recognised as a medium in its own right. Cologne’s Museum Ludwig was the first museum of contemporary art to devote a substantial section to international photography. The L. Fritz Gruber collection, from which this book is drawn, is one of the most important in Germany and one of the most representative anywhere in the world, constituting the core of the museum’s holdings.This book provides a fascinating insight into the collection’s rich diversity; from conceptual art to abstraction to reportage, all of the major movements and genres are represented via a vast selection of the century’s most remarkable photographs. From Ansel Adams to Piet Zwart – the best and most important photographers of the century are listed in alphabetical order, with images and biographical information.It offers more bang for your buck! ‘…a fast-food, high-energy fix on the topic at hand’ – ‘The New York Times Book Review’.

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Bring On the Night: The Photography of Andy Summers

In 1958, Andy Summers took a bus across his seaside hometown of Bournemouth, England, grasping a guitar without a case. He was heading off to play with a dance band in a local hotel, and several people on the bus asked him how he was getting along with his banjo.

Only two years earlier, his uncle Jim had given him a broken guitar with a missing string, and ignited a spark. Piano lessons were forgotten. A man named Cloudy donated the missing string. Jazz influences turned round on his vinyl record player and in his mind. And Andy Summers tasted the power of sound from which there was no turning back.

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The artist must find his instrument, to express that which is inside of him. Yet long before the instrument, there is the drive inside. The instrument is the tool of transformation from an internal emotion to the external symbolic expression of that emotion, which we experience as art. And art, in turn, elicits emotion. There is an alchemical process at the root of all art, an emotion fueling creation.

In the days of his newfound obsession with music, there was also something larger happening inside Andy Summers: the seeds of an awareness were growing in his psyche, the awareness of the power of art. He spent his time between hotel gigs, going to the Continental Theater to see the latest black and white films of Frederico Fellini, Francois Truffaut, Jean-Pierre Melville and the French New Wave cinema. Sitting in the dark, in the flickering projection, the images embedded deeply in Andy Summers, and the power of art took hold.

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Fast forward. The rise of The Police. Andy Summers found himself surrounded by photographers, the center of the world’s attention; subject and object of the camera, he became the living element in an evolving story being told.

Summers turned his eye back on that which was watching him. The artist in him took the experience of all that this big life entailed and filtered it into a new creation. He lived it, processed it and returned it into the world through artistic interpretation.

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With a Nikon FE in hand, Andy Summers returned to those early day influences, inspired by French cinema and black and white films. Through photography, he began to witness the witnessing, as a mirror reflection. It was a way to own himself again, to explore that which others were seeing, explore the myth from the inside, and he captured himself and the band in a way the other cameras never could.

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His early sensibility connected with Man Ray and the Surrealists, and also Diane Arbus, William Klein, Lee Friedlander and Ralph Gibson. Inspired by their images he developed a vocabulary, developing an ability and strength while moving into his own practice.

He began to improvise with his camera, much like improvising on his guitar. It was a power and a muscle he had already developed through music. He had his tool in his hand, now the camera, and went out to see if he could make something with it. He would get in the zone, not thinking, but playing, reacting to his environment, like reacting to and improvising with the players in the band. A lifetime of the experience went into finding the raw in situations.

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Parody and commentary of life on the road infused many of his images. He reflected playfulness and humor, and also alienation and disjointedness through the surreal. The images go far beyond the documentary capture of the experience of life on the road, also capturing the existential state of the band and the role of the musician as a traveling performer.

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Andy Summers shot the fans, he shot the stadiums, the drivers, the hotel rooms, the groupies, the waiters, the band, and he shot himself. He experimented with different kinds of film, lenses, angles and composition. He began to feel a connection to photography, much like he felt about music. He went out at night after night, after a concert, roaming the streets with his camera. He went hunting for photographs in the night time streets of LA, Tokyo, London, Bali, Nepal, Maucau, or wherever the tour took the band.

He took pictures, like running scales on the guitar. He engaged the mind and the eye, pressing the button, sometimes on insignificant images, just to start somewhere. From his practice in music, he wasn’t afraid of it. Andy Summers feels that as an artist you can’t feel that fear, you can’t freeze, you have to stay fluid. As Andy puts it, just go “do some shit.”

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Andy Summers plays every day, warming up the hands to practice, to keep it up. There’s a necessary physicality to maintaining the hands in fine condition, which applies to the creative mind. He always kept a recording device at hand, to capture an idea, a great lick, a little phrase, to record it and store it digitally to go back to later. Similarly he kept a book into which wrote ideas for photographic shots — “hand with hammer, gun at head, body in corridor, shark on foot” — images that he planned to take while on the road. Like running scales, he trained his eye to see the moment, and to bring images into creation out of imagining.

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There is something about the anonymity of the hotel room, the sterility and uniformity, devoid of the ordinary imperfection of a home, which is both relief and oppression. Within that concept of uniformity, the element that breaks the order becomes the message. A scuba diver in the tub is a lone hero on a daring quest. A shark attack disturbs the false sense of security of the plush polyester shag roll of the wall-to-wall carpeting in the hotel suite.

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The hotel is anonymous, replaceable comfort. Temporary. Transitory. The order must be broken. Perhaps it is the perfection of the hotel room that draws an unconscious desire to disturb the artificial order. And it’s nearly a tradition in rock and roll.

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With music there is a smooth dialog. Inspiration comes from the gifted playing of the other players. It’s different with photography. “It’s you and the world at large. Reacting to it. Looking for it. If I go out on the street, I’m looking, I’m hunting. Seeing what comes up. It could be a shape. A movement,” Andy Summers told me when we met to talk about his photography.

He told me he went from the Nikon to using the Leica M6, in part for its compact size and stealthy appearance. Shooting candid shots in Africa or China required having the ability to get close, and taking a lot of chances. Andy Summers has always been fascinated by other musical formats and performers. One of this favorite photographic subjects was a Naxi Orchestra, which plays an ancient Chinese musical form that dates back to before the Mongolian conquest. The musicians in the orchestra were mostly in their 80s and 90s, and they welcomed his camera.

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“There’s a reacting to the audience on stage, an exchange of energy. The audience gives energy back to the band, and it makes you play better. You go for it. With photography in a sense the scene is passive. You might see a striking corner on a building. And you react to it. Then you pull your own energy out,” says Andy Summers.

At the end of concerts with The Police, Andy Summers took a bow with his Leica in hand, and snapped several shots walking off stage. Seeing the camera, fans would go even more wild.

“It was like being subject and object. On stage and off. The fishbowl experience. Fans are screaming at you. And they get excited if you take their picture. For a photographer it’s a privilege to capture those shots. Excited people don’t get offended.”

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One day on tour in Arizona, in 1979, The Police were playing a club venue in Phoenix. The band had run a few songs and completed their sound check. There were hours to kill before the show. This was the time when Andy usually went hunting.

As they heading back to the dressing room, Andy Summers found a leg lying in a hallway; a random leg. Andy picked it up and took it with him to the dressing room and looked at the leg, thinking about what he could shoot with it. He spent hours before the show taking pictures with the leg, in every possible scenario. One might think that with a performance ahead, he would want to rest. It is extraordinary, and the mark of a true artist, that he would use all of his available time to create more art.

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Art is inside the artist and finds its expression through the instrument. The guitar. The camera. For Andy Summers they were the instruments without words. The artist brings out what is inside to give others the chance to reflect and re-experience what they already know, only now they know it in a new way.

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Andy Summers still tours and travels the world, now with his Leica Monochrome and his guitar. He has published several books of photography: I’ll Be Watching You: Inside the Police, Desirer Walks the Streets, and Throb. A documentary film based on his autobiography, One Train Later, is being released this summer by Cinema Libre. The film is titled Can’t Stand Losing You. His photographic works have been shown in galleries around the world. Most recently he exhibited his show Del Mondo at the Leica Gallery in Los Angeles.

Besides continuing his photographic practice, Andy Summers also has a new band, Circa Zero, with collaborator Rob Giles. A CD is being released March 25th on 429 Records, with a tour to follow.

The artistic impulse is ongoing in Andy Summers, and we have much to look forward to, following this artist’s drive to create, to express, with his many instruments.

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All images are courtesy of Andy Summers.
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